CD The Wroclaw Sessions
by the Mark Lotz Trio
Recording with two energetic young Polish musicians. Next to originals compositions by a.o. Sam Rivers, Charlie Parker, Michael Moore. The first recording in jazz music by Lotz for some time in the classical jazz trio setting, however, with a fascinating instrument as the lead. Liner notes by Peter Westbrook. This page features an extended version!
Line up
Mark Alban Lotz (c-, alto-, bass flutes, fx)
Grzegorz Piasecki (acoustic bass)
Wojciech Buliński (drums)
Audiocave 2019
release 26st April 2019
Recorded march 3rd 2018 in Wroclaw, Poland by Lukasz Damrych
Mixed by Marius Beets at Studio Smederij Zeist, The Netherlands
- Euterpe (Sam Rivers)
- Franz (Michael Moore)
- Raaste Men (Mark Lotz)
- Lullaby for Tymon (M.Lotz/G.Piasecki)
- Pata Pata (M.Makeba/J.Ragovoy)
- Segment (Charlie Parker)
- Song Of Delilah (Victor Young)
- Slap, Kick & Stop (M.Lotz/G.Piasecki)
- Little Shiva (Mark Lotz)
Mark Alban Lotz – The Wroclaw Sessions
Mark Alban Lotz comes from two traditions of innovation, Dutch jazz and jazz flutists in general. Largely free of traditional ‘schools’ of performance, flutists have consistently broken down barriers between genres — jazz, classical, world music. In the Netherlands, isolated from the critical elites of New York, musicians, including flutists Chris Hinze, Ronald Snijders and Peter Guidi, have forged their own traditions. Raised in Thailand, Uganda and Germany, trained in Holland and subsequently interacting with musicians in many countries, Lotz has forged a style and a temperament that creates coherence out of diversity.
Following a series of albums that runs the gamut of music traditions from Turkey to Cuba, Lotz’ 19th recording finds him returning to his first love — jazz. In Poland in March 2018, giving master classes and concerts, he was invited by bassist Grzegorz Piasecki to an impromptu recording session in the small town of Wroclaw with drummer Wojciech Buliński. The circumstances were not favorable: the musicians had little sleep, the studio was decidedly lo-fi, there was little time, and Buliński had to quit half-way through with a high fever. Nevertheless, tapping into the disciplines of jazz improvisation, taking a handful of melodic fragments, original head arrangements and one standard tune, Lotz, beautifully supported by Grzegorz and Wojciech, spins out nine unendingly creative performances that constitute the very essence of jazz. Another triumph for Mark Alban Lotz and the flute in jazz.
Peter Westbrook, Ph.D.
Author of The Flute in Jazz,
Editor: www.flutejournal.com
NYC Jazz Record
Featured twice as ‘New Recommended Release‘ (July/august 2019).
All About Jazz (USA)
“Mark Alban Lotz is bringing sexy back into jazz with his trio recording The Wroclaw Sessions.”
Jazz Da Gama (USA)
“This is an album to die for.”
Polish Jazzblog Spot (Poland)
“The Wroclaw Sessions” is a stellar example of musical chemistry and the essence of the sound.”
Clifford Allen (USA)
“It is very strong music. I’m quite hooked. It is rare to blindly receive an album that is so appealing.”
Moors Magazine (NL)
“Lotz belongs to the absolute top of the improvising flute players.”
Music Frames (NL)
“Exciting, inspiring and innovative!”
Flute Journal (UK)
“Pure genius!”
Walker (Japan)
“Comes roaring powerfully.”
UKVibes (UK)
“This is the spirit of jazz in its truest form.”
2 time winner of the ‘Best Of 2019’ in the NYC Jazz Records Magazine
Won twice in the ‘Best Of 2019’ in the NYC Jazz Records Magazine
NYC Jazz Records
Featured twice as ‘New Recommended Release‘ at New York Jazz Record Magazine (july/august 2019)
All About Jazz (USA)
“Mark Alban Lotz is bringing sexy back into jazz with his trio recording.”
Jazzblog Spot (Poland)
“The Wroclaw Sessions is a stellar example of musical chemistry.”
Clifford Allen (USA)
“Very strong music. I’m quite hooked. It is rare to blindly receive an album that is so appealing.”
Flute Journal (UK)
“Pure genius!”
The Soundtrack Of My Live (Israel)
“An absolute must for Jazz flute connoisseurs.”
MusicFrames (NL)
“Exciting, inspiring and innovative!”
UKVibe (Great Britain)
“This is the spirit of jazz in its truest form.”
Walker magazine (Japan)
“Comes roaring powerfully.”